Richard Twyman is a name that resonates strongly within the British theatre landscape. As an accomplished director and the current Artistic Director and Chief Executive of English Touring Theatre (ETT), he has consistently demonstrated an ability to merge tradition with innovation. His career journey has been marked by a dedication to powerful storytelling, international collaboration, and a belief that theatre should serve as both a cultural mirror and a catalyst for transformation.
Early Life and Education
Richard Twyman was born in Aberdeen and developed an interest in performance and storytelling from an early age. His passion for theatre led him to study Drama and Theatre Arts at Birmingham University, where he earned a Bachelor of Arts degree with Honours. It was during his university years that Twyman began to cultivate the intellectual curiosity and artistic discipline that would later define his directorial style.
Studying at Birmingham exposed him to a wide range of theatrical traditions and contemporary practices. He embraced both classical works and modern experimental approaches, setting the stage for his later career, where he seamlessly blends heritage with innovation. His academic training also introduced him to the critical role of theatre in shaping public dialogue, an idea that remains central to his creative vision.
Early Career and Influences
After completing his education, Richard Twyman embarked on his professional journey in theatre by working in various assistant director roles. One of his earliest positions included assisting on productions at York Theatre Royal. Like many emerging theatre professionals, he also took up casual jobs to sustain himself, including bar work, while pursuing his ambition to become a respected director.
Twyman’s early experiences reinforced his belief that every role within a production, from the performers to the backstage staff, contributes to the final artistic product. This collaborative spirit has been a defining characteristic of his work. He also cites silent film star Buster Keaton as a constant source of inspiration, particularly admiring his ability to combine humour, pathos, and physical artistry in ways that transcend cultural and linguistic barriers.
Career Breakthroughs
Richard Twyman’s breakthrough came when he became an associate director at the prestigious Royal Shakespeare Company (RSC). There, he directed Henry IV Part II as part of the acclaimed Histories cycle in 2007–2008. The production was celebrated for its fresh interpretation of Shakespeare’s work, earning critical praise and contributing to the Olivier Award-winning cycle. This opportunity marked Twyman’s arrival on the national stage and cemented his reputation as a director capable of handling complex classical material with nuance and innovation.
Following his time at the RSC, he joined the Royal Court Theatre as Associate Director (International). At the Royal Court, Twyman oversaw productions that reached audiences far beyond the United Kingdom, extending to regions such as Japan, China, India, the Middle East, and the United States. This international dimension of his career broadened his artistic outlook and deepened his commitment to creating theatre that transcends borders.
Appointment at English Touring Theatre
In November 2016, Richard Twyman was appointed Artistic Director and Chief Executive of English Touring Theatre (ETT). This was a defining moment not only in his career but also in the history of the company. ETT is renowned for producing high-quality, accessible theatre and bringing performances to audiences across the UK who might not otherwise have access to major productions.
Under Twyman’s leadership, ETT has undergone a dynamic period of transformation. His vision for the company is rooted in questioning established norms and embracing the idea that theatre must continually evolve. He often speaks of the importance of “going on a journey” in which the company may become unrecognisable compared to its past self, reflecting his openness to change and growth.
Directorial Philosophy
Richard Twyman’s directorial philosophy is characterised by curiosity, collaboration, and courage. He consistently emphasises the need to question assumptions and challenge both artists and audiences. For him, theatre is not a static art form but a living dialogue that should respond to contemporary issues.
One of his strongest beliefs is that theatre should be a space for reflection and transformation. Whether he is staging Shakespeare, contemporary drama, or new international writing, Twyman ensures that the productions resonate deeply with the audience. He also highlights the importance of stepping outside one’s comfort zone, suggesting that the most rewarding projects are those that push boundaries and explore unfamiliar territories.
Notable Productions
Throughout his career, Richard Twyman has directed an impressive array of productions. Among his most notable works are:
-
Henry IV Part II for the Royal Shakespeare Company: A key contribution to the award-winning Histories cycle.
-
The Djinns of Eidgah at the Royal Court: A politically charged play exploring conflict and loss in Kashmir.
-
You for Me for You at the Royal Court: A surreal and moving piece about two North Korean sisters navigating oppression and freedom.
-
Harrogate for HighTide: A powerful examination of identity, morality, and family secrets.
-
Macbeth at the Lyric Hammersmith Theatre (2025): A bold reinterpretation of Shakespeare’s tragedy, featuring Alex Austin and Lois Chimimba in the lead roles.
These productions illustrate his versatility and willingness to tackle both classical and contemporary material with equal vigour. His work is often praised for its emotional depth, intellectual clarity, and ability to connect across cultural divides.
International Reach
Richard Twyman’s influence extends far beyond the UK. His tenure at the Royal Court as Associate Director (International) saw him bringing productions to audiences across Asia, the Middle East, and North America. By directing plays in diverse cultural contexts, he demonstrated the universality of theatre as a language that can speak to shared human experiences.
This international outlook continues at ETT, where Twyman champions collaboration with artists from different backgrounds and ensures the company’s productions are relevant to both national and global audiences.
Challenges and Achievements at ETT
Leading a touring company such as ETT presents both opportunities and challenges. Touring theatre requires logistical expertise, resource management, and sensitivity to the diverse audiences encountered in different regions. Richard Twyman has successfully balanced these demands while maintaining a strong artistic identity for the company.
Among his achievements is the ability to broaden ETT’s reach and engage new audiences, particularly in communities that may not traditionally engage with theatre. His commitment to inclusivity and accessibility ensures that theatre continues to serve as a unifying cultural force.
Personal Traits and Leadership Style
Colleagues and collaborators often describe Richard Twyman as inquisitive, approachable, and deeply committed to the craft of theatre. His leadership style blends visionary ambition with practical collaboration, allowing artists to flourish while maintaining high standards of excellence.
He has also expressed a lifelong admiration for moments of wonder in performance, believing that theatre should continually surprise and move audiences. This sense of wonder infuses his productions, giving them an emotional resonance that lingers long after the curtain falls.
Legacy and Continuing Influence
Richard Twyman’s legacy is still in the making, but his impact on British theatre is undeniable. He has directed landmark productions, brought international stories to UK audiences, and revitalised the role of English Touring Theatre in the national cultural conversation.
As he continues to push boundaries and reimagine the role of theatre in society, his influence is likely to extend even further. Whether through bold reinterpretations of Shakespeare or innovative new works, Twyman demonstrates that theatre remains a vital, evolving art form capable of addressing the complexities of contemporary life.
Conclusion
Richard Twyman’s journey from Aberdeen to the forefront of British theatre is a testament to his talent, perseverance, and vision. As Artistic Director and Chief Executive of English Touring Theatre, he has not only directed powerful productions but also reshaped the way theatre engages with audiences across the nation. His international perspective, combined with a deep respect for tradition and a hunger for innovation, ensures that his work continues to resonate at home and abroad.
For audiences and practitioners alike, Richard Twyman stands as a reminder of the transformative power of theatre. His career reflects an ongoing commitment to questioning, exploring, and celebrating the human condition through performance. In doing so, he secures his place as one of the most influential and inspiring figures in contemporary British theatre.
